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New Morning

1 Leave a comment on paragraph 1 0 This page is under construction…come back later….

2 Leave a comment on paragraph 2 0 lots of musicans…reord from started march ended june 70…leon russell. al cooper. both “producers”. 16 recording sessions…

3 Leave a comment on paragraph 3 0 JWH III..or NS II

4 Leave a comment on paragraph 4 0 Soundes. “Daniel’s. “Anything you threw at [Bob], he could sing….It was such a nice thing, such a great day, hour after hours.” “it wasn’t bd and gh. it was four guys in the sudio making music.”

5 Leave a comment on paragraph 5 0 at least three songs were written for a state play y archibald macLeish, but ehy were not delivered o time”. Do fthe Locus

6 Leave a comment on paragraph 6 0 allmusic…jazz…new aspect

7 Leave a comment on paragraph 7 0 Corn=nelius, Daniels, and Johnston chose to work with Cohen, Dylan perhaps not happy camper.

8 Leave a comment on paragraph 8 0
thought about including “Tomorrow Is a Long Time” (should have)

9 Leave a comment on paragraph 9 0 Recorded Watching the River Flow and When I Paint My Masterpiece

10 Leave a comment on paragraph 10 0 DLF (Dylan liberation Front).

11 Leave a comment on paragraph 11 0

12 Leave a comment on paragraph 12 0 Dylan rushed out New Morning in the wake of the commercial and critical disaster Self Portrait, and the difference between the two albums suggests that its legendary failed predecessor was intentionally flawed. New Morning expands on the laid-back country-rock of John Wesley Harding and Nashville Skyline by adding a more pronounced rock & roll edge. While there are only a couple of genuine classics on the record (“If Not for You,” “One More Weekend”), the overall quality is quite high, and many of the songs explore idiosyncratic routes Dylan had previously left untouched, whether it’s the jazzy experiments of “Sign on the Window” and “Winterlude,” the rambling spoken word piece “If Dogs Run Free” or the Elvis parable “Went to See the Gypsy.” Such offbeat songs make New Morning a charming, endearing record.

13 Leave a comment on paragraph 13 0 some of it reminds me of the girl in Don’t Look Back “having a laugh”

14 Leave a comment on paragraph 14 0 Dylan said of Nashville Skyline, “These are the type of songs that I’ve always felt like writing when I’ve been alone to do so. The songs reflect more of the inner me than the songs of the past.” I don’t believe him for a minute. He’s the same guy who wrote “I’m Not There,” after all, and the songs on Nashville Skyline sound calculated to my ears. In short, Dylan’s sincerity is only as authentic as how he feels at any precise moment. He might have said the same thing about “Blowin’ in the Wind,” “Like a Rolling Stone,” or his unforgettable duet with himself on “The Boxer” from Self Portrait, the very title of which reveals a man who is very cagey indeed when it comes to nailing the “real Dylan” down. http://www.thevinyldistrict.com/storefront/2018/03/graded-curve-bob-dylan-new-morning/

15 Leave a comment on paragraph 15 0 https://www.thecrimson.com/article/1970/11/14/dylan-new-morning-plast-june-within-the/

16 Leave a comment on paragraph 16 0 https://www.dylanchords.com/11_newmorning/index.htm

https://www.popmatters.com/94738-bob-dylan-new-morning-the-basement-tapes-before-the-flood-dylan-the-d-2496034652.html
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Source: http://www.bobdylancommentaries.com/new-morning/