Red River Shore

Red River Shore is another standout track from the new Fragments release. (An excellent accordion-heavy version was included on Tell-Tale Signs.) Two versions are included. The first sounds more like a demo than something that would be seriously considered for the album. Daniel Lanios plays some ragged, heavy-handed guitar. Dylan’s voice is ok but not […]

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Tin Angel

Most reading this are probably familiar with the work of Dorothy Parker, the short story writer, poet, theatre critic, New Yorker staffer, and member of the Algonquin Round Table. One of my favorite of her many famous witticisms: “This wasn’t just plain terrible, this was fancy terrible. This was terrible with raisins in it.” I

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Bob Dylan and Hafez

Most of us want things to be neat and tidy, to follow a set pattern, perhaps because our teachers beat that idea into our heads from an early age. Or maybe because most of the childhood storybooks and Hollywood movies we grew up with follow a typical pattern. However we got indoctrinated, we have a

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Scarlet Town Analysis – Part 3

Is it possible that Dylan is describing his hometown of Hibbing, Minnesota in this song? Perhaps I’m falling into the trap of assuming the lyrics of a song are necessarily autobiographical. Of course, that’s not always the case. However, I do think most everything an artist does is partly about themselves. It’s unavoidable. There’s really

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Desolation Row – Excerpt from Homer the Slut Fanzine

Welcome to the inaugural post for the new Dylan Commentaries blog. Today’s lunch hour was reserved for reading Homer the Slut Volume II, the fanzine published by Andrew Muir back in the early nineties. Muir recently published an updated version of his book – Razor’s Edge, renamed One More Night – about his experiences following Dylan’s

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