May 25, 2017 at 1:28 pm
Thanks for an excellent comment that adds to the discussion. Interesting thought, the Warhol connection is well-documented.
See in context
May 25, 2017 at 6:37 am
There’s a theory that this song was about a transvestite. I believe Dylan was hanging out with Andy Warhol at this time and he took him into the oddity of his world and introduced him to lots of different characters. The line about not fitting might have some thing to do with this too? I don’t know – it’s still mystery and one to chew over.
May 3, 2017 at 5:48 am
Hello, Join us inside Bob Dylan’s Music Box http://thebobdylanproject.com/Song/id/191/Fixin'-to-Die and listen to every version of every song.
March 26, 2017 at 12:49 pm
I have a live version of Freight Train Blues. You can purchase it on ITunes on the compilation Folk Barbecue Party. He also plays Stealin’ Stealin’.
March 22, 2017 at 4:03 pm
Very cool site! Thanks for the link, I’ll be checking it out in-depth.
March 22, 2017 at 4:02 am
Hello there, thank you for posting this interesting essay. Join us inside Bob Dylan’s Music Box http://thebobdylanproject.com/Song/id/36/As-I-Went-Out-One-Morning and listen to every version of every song
January 10, 2017 at 10:41 am
Well, then, it seems that Dylan was the only one of his era to have been able to embody fully the musicality that is essential to great poetry, the second voice that haunts every poet, but which he generally delegates to those who recite or read him, the power of song that is his ultimate and secret truth and that some have gone mad – literally and tragically mad – trying to pull from cage into canto.
December 17, 2016 at 6:13 am
Just noticed that the traditional Rocks and Gravel includes the lines:
Don’t my gal look good, When she’s comin’ after me?
very similar to the lines in this song, “don’t my gal..”
December 16, 2016 at 8:36 pm
good point, didn’t think of that. 🙂
December 15, 2016 at 10:26 pm
Duluth, MN, is an international seaport. Dylan mentions the cold, massive, dangerous Lake Superior many times in song, interviews, and in Chronicles.
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